Sure - for the hybrids I start with physical "wet media" like acrylic, watercolor, or a texture rubbing. The result is always a textural monotype that will be used as a component part of the final print. From there, these elements are scanned and a digital composite or matrix is made. At this point, sometimes I print it, rework it with additional media in a collagraph type process or sometimes if the image is strong enough it just resides as is. This process can go back and forth between digital and physical many times.
The real key to all of it is to harness the strengths and attributes of both the digital and physical, working seamlessly to combine them into something that fits the final visual goal.
The result is always a textural monotype that will be used as a component part of the final print.
From there, these elements are scanned and a digital composite or matrix is made. At this point, sometimes I print it, rework it with additional media in a collagraph type process or sometimes if the image is strong enough it just resides as is. This process can go back and forth between digital and physical many times.
The real key to all of it is to harness the strengths and attributes of both the digital and physical, working seamlessly to combine them into something that fits the final visual goal.
Hope that helps.